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The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.
Salsa music is a style of Caribbean music, ... and he did not attempt to play clave on stage until he had received some private lessons. ...
Zumba was created in the 1990s by dancer and choreographer Beto Pérez, an aerobics instructor in Cali, Colombia.After forgetting his usual music one day, and using cassette tapes of Latin dance music (salsa and merengue) for class, Pérez began integrating the music and dancing into other classes, calling it "Rumbacize".
The Upper School has the broadest selection of courses. Courses offered include various literature, English, music, visual arts, theater, music ensemble, foreign language, ancient and modern history, technology, mathematics, science, and physical education classes.
Rueda de Casino began to slowly make its way into the Miami salsa community during the Mariel boatlift, [2] and in the late 1980s and early 1990s it experienced an enormous explosion of popularity. However, the style of Rueda de Casino that became popular was a style somewhat different from its original form.
Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread. Clave awareness within the salsa community has served as a cultural "boundary marker", creating an insider/outsider dichotomy, between Cuban and non-Cuban, and between Latino and non-Latino.
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