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On two eightfold screens it depicts a tree and a cluster of rocks with some dragons. The work thus shows Ōkyo's ability to render the natural elements in a convincingly realistic fashion. However, the dragons, according to art critics such as Paine, demonstrate a weakness; they are treated academically, thus losing their grand, legendary essence.
The work is a development of suibokuga (水墨画, ink-wash paintings) made with Chinese ink (墨, sumi), using dark and light shades on a silk or paper medium.It combines naturalistic Chinese ideas of ink painting by Muqi Fachang (Chinese: 牧溪法常; pinyin: Mu-ch'i Fa-ch'ang) with themes from the Japanese yamato-e (大和絵) landscape tradition, influenced by the "splashed ink" (溌墨 ...
Hasegawa Tōhaku (長谷川 等伯, 1539 – March 19, 1610) was a Japanese painter and founder of the Hasegawa school. [2]He is considered one of the great painters of the Azuchi–Momoyama period (1573-1603), and he is best known for his byōbu folding screens, such as Pine Trees and Pine Tree and Flowering Plants (both registered National Treasures), or the paintings in walls and sliding ...
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
Waves at Matsushima, also named Pine Islands, is a pair of Japanese landscape paintings on two six-fold screens, made by artist Tawaraya Sōtatsu in the 1620s. They were painted with ink, color, gold, and silver on paper.
Left panel of the Pine Trees screen (松林図 屏風, Shōrin-zu byōbu) by Hasegawa Tōhaku, c.1595. Azuchi–Momoyama period saw the rise of the Kanō school (狩野派 Kanō-ha?) which is one of the most famous schools of Japanese painting. The Kanō school of painting was the dominant style of painting until the Meiji period.
Generally speaking, tree penjing specimens differ from bonsai by allowing a wider range of tree shapes (more "natural-looking") and by planting them in bright-colored and creatively shaped pots. In contrast, bonsai are more simplified in shape (more "minimal" in appearance) with larger-in-proportion trunks and are planted in unobtrusive, low ...
"The Kamakura period extended from the end of the twelfth through the fourteenth century. It was a time of art works, such as paintings, but mainly sculptures that brought a more realistic visual of life and its aspects at the time. In each of these statues many life-like traits were incorporated into the production of making them.