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BK numbers refer to Musica Britannica: William Byrd Keyboard Music, ed. Alan Brown (London: Stainer & Bell, 2 vols, 1969/71) ... 69 pieces in the Fitzwilliam Virginal ...
My Ladye Nevells Booke consists of 42 pieces for keyboard by William Byrd, widely considered [1] one of the greatest English composers of his time. Although the music was copied by John Baldwin, a singing man from St George's Chapel, Windsor Castle, who was also paid for copying music at the chapel in the 1580s, [2] the pieces seem to have been selected, organised and even edited and corrected ...
Byrd also contributed eight keyboard pieces to Parthenia (winter 1612–13), a collection of 21 keyboard pieces engraved by William Hole, and containing music by Byrd, John Bull and Orlando Gibbons. It was issued in celebration of the forthcoming marriage of James I's daughter Princess Elizabeth to Frederick V, Elector Palatine , which took ...
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Manuscript Additions in Parthenia and other Early English Printed Music in America, David Greer. Music and Letters, 77 (1996), 169–82; The Keyboard Music of John Bull, Walker Cunningham, UMI Research Press, Ann Arbor, 1984; The Consort and Keyboard Music of William Byrd, Oliver Neighbour, University of California Press, Berkeley, 1978
There is a keyboard version in C major by William Byrd. The work is included in two of the most important collections of keyboard music of the Renaissance, My Ladye Nevells Booke and the Fitzwilliam Virginal Book. The copying of My Ladye Nevells Booke, which contains a selection of Byrd's keyboard pieces, was completed in 1591.
The Mass for Four Voices is a choral Mass setting by the English composer William Byrd (c.1540–1623). It was written around 1592–1593 during the reign of Queen Elizabeth I, and is one of three settings of the Mass Ordinary which he published in London in the early 1590s.
The Mass for Five Voices is a choral Mass setting by the English composer William Byrd (c. 1540–1623). It was probably written c. 1594 during the reign of Queen Elizabeth I, and is one of three settings of the Mass Ordinary which Byrd published in the early 1590s.