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Pages in category "American stained glass artists and manufacturers" The following 74 pages are in this category, out of 74 total. This list may not reflect recent changes .
Some suncatchers. A suncatcher or light catcher is a small reflective, refractive, and/or iridescent ornament. It may include glass or nacre pieces and be hung indoors near a window to "catch" sunlight. [1] [additional citation(s) needed] A suncatcher is like the optical equivalent of a wind chime.
Opalescent glass. The term "opalescent glass" is commonly used to describe glass where more than one color is present, being fused during the manufacture, as against flashed glass in which two colors may be laminated, or silver stained glass where a solution of silver nitrate is superficially applied, turning red glass to orange and blue glass to green.
The Journal of Stained Glass, Burne-Jones Special Issue, Vol. XXXV, 2011 ISBN 978 0 9568762 1 8; The Journal of Stained Glass, Scotland Issue, Vol. XXX, 2006 ISBN 978-0-9540457-6-0; The Journal of Stained Glass, Special Issue, The Stained Glass Collection of Sir John Soane's Museum, Vol. XXVII, 2003 ISBN 0 9540457 3 4
Ireland became an internationally renowned center of stained-glass art at this time, to a large extent as a result of An Túr Gloine. [7] The studio was run by Purser until 1940, and she was succeeded by Catherine O'Brien who ran it until 1944. [1] After which time O'Brien bought the studio and leased a large section of it to Patrick Pollen. [8]
The monk Theophilus Presbyter described glass-production in minute detail early in the 12th century in his treatise Schedula diversum artium - the glass-painter was to trace the composition of a window on a panel of bleached wood, before cutting the glass sections on it and finally painting and assembling them. [12]