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Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado.It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the guajeos typical of son cubano (also known as montunos).
Mambo is a Latin dance of Cuba which was developed in the 1940s when the music genre of the same name became popular throughout Latin America. The original ballroom dance which emerged in Cuba and Mexico was related to the danzón , albeit faster and less rigid.
The danzón-mambo (also known as danzón de nuevo ritmo) is a subgenre of Cuban dance music that marked the transition from the classical danzόn to the mambo and the cha-cha-chá. It was also in the context of the danzón-mambo that the Cuban dance band format called charanga reached its present form.
Dámaso Pérez Prado (December 11, 1916 – September 14, 1989) [nb 1] was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s. [2] His big band adaptation of the danzón-mambo proved to be a worldwide success with hits such as "Mambo No. 5", earning him the nickname "The King of the Mambo".
Cha-cha-chá rhythm. [1]Cha-cha-chá (Spanish pronunciation: [ˌtʃa ˌtʃa ˈtʃa]) is a genre of Cuban music.It has been a popular dance music which developed from the Danzón-mambo in the early 1950s, and became widely popular throughout the world.
Mambo (music), a Cuban musical form; Mambo (dance), a dance corresponding to mambo music; Mambo may also refer to: Music. Mambo section, ...
Danzón is the official musical genre and dance of Cuba. [1] It is also an active musical form in Mexico and Puerto Rico.Written in 2 4 time, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or típica ensemble.
Cachao is widely known as the co-creator of the mambo and a master of the descarga (improvised jam sessions). [2] Throughout his career he also performed and recorded in a variety of music styles ranging from classical music to salsa. An exile in the United States since the 1960s, he only achieved international fame following a career revival ...