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Anagnorisis (/ ˌ æ n ə ɡ ˈ n ɒr ɪ s ɪ s /; Ancient Greek: ἀναγνώρισις) is a moment in a play or other work when a character makes a critical discovery.Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what that person stood for.
A "back-translation" is a translation of a translated text back into the language of the original text, made without reference to the original text. Comparison of a back-translation with the original text is sometimes used as a check on the accuracy of the original translation, much as the accuracy of a mathematical operation is sometimes ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
[1] [2] In compiling a dictionary, a lexicographer decides whether the evidence of use is sufficient to justify an entry in the dictionary. This decision is not the same as determining whether the word exists. [citation needed] The green background means a given dictionary is the largest in a given language.
Variant 1: daito or otodo Variant 2: taito Taito, daito, or otodo (𱁬/) is a kokuji (kanji character invented in Japan) written with 84 strokes, and thus the most graphically complex CJK character—collectively referring to Chinese characters and derivatives used in the written Chinese, Japanese, and Korean languages.
Transliteration is the process of representing or intending to represent a word, phrase, or text in a different script or writing system. Transliterations are designed to convey the pronunciation of the original word in a different script, allowing readers or speakers of that script to approximate the sounds and pronunciation of the original word.
This is a list of the most translated literary works (including novels, plays, series, collections of poems or short stories, and essays and other forms of literary non-fiction) sorted by the number of languages into which they have been translated.
The manner of a character's speech is to literature what an actor's appearance and costume are to cinema. [10] In fiction, what a character says, as well as how they say it, makes a strong impression on the reader. [13] Each character should have their distinctive voice. [14]