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Harmonic mixing or key mixing (also referred to as mixing in key) is a DJ's continuous mix between two pre-recorded tracks that are most often either in the same key, or their keys are relative or in a subdominant or dominant relationship with one another. The primary goal of harmonic mixing is to create a smooth transition between songs.
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music. Tonality (from "Tonic") or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale. [1]
A piece in a major key might modulate up a fifth to the dominant (a common occurrence in Western music), resulting in a new key signature with an additional sharp. If the original key was C-sharp, such a modulation would lead to the theoretical key of G-sharp major (with eight sharps) requiring an F in place of the F ♯. This section could be ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key. In modern music, the closeness of a relation between any two keys or sets of pitches may be determined ...
A C-clef on the first line of the staff is called the soprano clef. It was used for the right hand of keyboard music (particularly in France – see Bauyn manuscript), in vocal music for sopranos, and sometimes for high viola da gamba parts along with the alto clef. It was used for the second violin part ('haute-contre') in 17th century French ...
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Frequency domain, polyphonic detection is possible, usually utilizing the periodogram to convert the signal to an estimate of the frequency spectrum [4].This requires more processing power as the desired accuracy increases, although the well-known efficiency of the FFT, a key part of the periodogram algorithm, makes it suitably efficient for many purposes.