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This is a list of the National Register of Historic Places in downtown Houston, Texas. It is intended to be a complete list of properties and districts listed on the National Register of Historic Places in the Downtown Houston neighborhood, defined as the area enclosed by Interstate 10 , Interstate 45 , and Interstate 69 .
The Beer Can House is a folk art house in Rice Military, Houston, Texas, [1] covered with beer cans, bottles, and other beer paraphernalia. Houstonian John Milkovisch worked through the late 1960s to transform his Houston home at 222 Malone Street into the Beer Can House. [2] The Beer Can House is now one of Houston's most
The name "Koozie", with a capital "K", is a federally registered trademark in the United States, [1] originally coined by Bob Autrey of San Antonio, Texas, and rights later sold to Radio Cap Corporation (RCC) as the KOOZIE in the early 1980s. The company RCC specialized in baseball caps before registering a trademark for the name KOOZIE in 1980 ...
The American Bottling Company, formerly Dr Pepper/Seven Up Bottling Group (1999–2006), Cadbury Schweppes Bottling Group (2006–2008), and Dr Pepper Snapple Bottling Group (2008), is the bottling company of Dr Pepper Snapple Group, and is a wholly owned subsidiary of that company. [1]
The Gerald D. Hines Waterwall Park, [1] formerly the Williams Waterwall and the Transco Waterwall, is a multi-story sculptural fountain that sits opposite the south face of Williams Tower in the Uptown District of Houston. The fountain and its surrounding park were built as an architectural amenity to the adjacent tower.
Hazel-Atlas made large quantities of "Depression" pressed glassware in a wide variety of patterns in the 1920s–1940s, along with many white milkglass "inserts" used in zinc fruit-jar lids, many types of milkglass cold-cream jars and salve containers, and a large variety of bottles and jars for the commercial packaging industry. "Atlas" was ...
Réunion de dames, Abraham Bosse, 17th century. A salon is a gathering of people held by a host. These gatherings often consciously followed Horace's definition of the aims of poetry, "either to please or to educate" (Latin: aut delectare aut prodesse).
Until the 1960s, cyclists often carried a second bottle on the handlebars, held by a bottle cage fixed to the handlebars themselves and by a third point to the handlebar stem. Such bottle cages are familiar from pictures of the Tour de France. Riders had a cage there rather than have two on the frame, where the centre of gravity is lower ...