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This trio released a number of rock and electro-inspired tunes, [33] the most successful of which were Clear (1983) and its moodier followup, "Techno City" (1984). [34] [35] Atkins used the term techno to describe Cybotron's music, taking inspiration from Futurist author Alvin Toffler, the original source for words such as cybotron and metroplex.
Video game soundtracks considered the best Year Game Lead composer(s) Notes Ref. 1985 Super Mario Bros. Koji Kondo: The Super Mario Bros. theme was the first musical piece from a video game to be inducted into the Library of Congress's National Recording Registry.
Synth-pop (also known as electropop or technopop) [1] [2] is a music genre that uses the synthesizer as the dominant musical instrument. With the genre becoming popular in the late 1970s and 1980s, the following article is a list of notable synth-pop acts, listed by the first letter in their name (not including articles such as "a", "an", or "the").
Ambient techno songs (3 C, 1 P) 0–9. 2 Brothers on the 4th Floor songs (8 P) 2 Unlimited songs (19 P) 808 State songs (4 P) B. Baby D (dance group) songs (3 P) C.
According to The Recording Academy, the award "recognizes excellence in recordings from established dance and electronic genres such as house, techno, trance, dubstep, drum and bass, electronica, as well as other emerging dance and electronic genres, with production and sensibilities distinctly different from a pop approach."
The album is the fifth installment of the influential Cologne-based microhouse label's annual compilation of vinyl releases and exclusives from its biggest artists and most promising newcomers. All tracks on the vinyl edition are previously unreleased. Five songs appear on both the vinyl and CD formats.
Hardcore (also known as hardcore techno) [2] [3] is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany [4] in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more [5]), the intensity of the kicks and the synthesized bass (in some subgenres), [6] the rhythm and the atmosphere of the themes (sometimes ...
The second album Warp 10+2: The Classics pulls music from the first four years of the label's history containing some of their more rare and earliest tracks. The compilation compiles music that would later be referred to as bleep techno. [2] The third album consists of indie rock and electronic musicians doing remakes of the label's back catalog.