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  2. The Cat (2011 film) - Wikipedia

    en.wikipedia.org/wiki/The_Cat_(2011_film)

    "The Cat: Eyes that See Death") is a 2011 South Korean horror film directed by Byun Seung-wook. The film is about So-yeon (Park Min-young), who works at a small pet-grooming shop called Kitty N Puppy. So-yeon has claustrophobia and starts having apparitions of a ghostly young girl with cat-like eyes (Kim Ye-ron). [1] [2]

  3. The Cat (1992 film) - Wikipedia

    en.wikipedia.org/wiki/The_Cat_(1992_film)

    The Cat (衛斯理之老貓 Wèisīlǐ Zhī Lǎomāo, lit. "Wisely's Old Cat"), also known as The 1000 Years Cat , is a 1992 Hong Kong science-fiction action film directed by Lam Ngai Kai , based on the novel Old Cat , an installment of the Wisely Series , by Ni Kuang . [ 2 ]

  4. The Cat (1988 film) - Wikipedia

    en.wikipedia.org/wiki/The_Cat_(1988_film)

    The Cat (German: Die Katze) is a 1988 German crime film directed by Dominik Graf. [1] Plot.

  5. The Shadow of the Cat - Wikipedia

    en.wikipedia.org/wiki/The_Shadow_of_the_Cat

    The Shadow of the Cat is a 1961 British horror film directed by John Gilling and starring André Morell and Barbara Shelley. [ 2 ] [ 3 ] It was photographed in black-and-white by Arthur Grant . Produced by Hammer Film Productions , [ 4 ] it was released in May 1961 on a double feature bill with Curse of the Werewolf .

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  7. The Cat and the Canary (1978 film) - Wikipedia

    en.wikipedia.org/wiki/The_Cat_and_the_Canary...

    The Cat and the Canary is a 1978 horror film directed by Radley Metzger and starring Honor Blackman, Michael Callan, Edward Fox, Wendy Hiller, Olivia Hussey, Wilfred Hyde-White, Beatrix Lehmann, Carol Lynley, Daniel Massey, and Peter McEnery. It follows a group of potential heirs who are summoned to the mansion of a deceased beneficiary to view ...

  8. The Cat (1977 film) - Wikipedia

    en.wikipedia.org/wiki/The_Cat_(1977_film)

    The Cat is the third film produced by Sergio Leone, following My Name Is Nobody and A Genius, Two Partners and a Dupe. [2] After the difficulties experienced with Tonino Valerii and Damiano Damiani, he chose a director he fully trusted, the veteran Luigi Comencini, for whom in 1952 he had been assistant in Girls Marked Danger. [2]

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