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Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
A modern huabiao at Chinese Culture University in Taipei. A singular huabiao in Xinghai Square in Dalian. Huabiao (simplified Chinese: 华表; traditional Chinese: 華表; pinyin: huábiǎo; Jyutping: waa4 biu2; Pe̍h-ōe-jī: hôa-piáu) is a type of ceremonial column used in traditional Chinese architecture.
A simple spirit screen in Tian Hou Gong (temple of Mazu) in Quanzhou. A spirit screen, also called a spirit wall, screen wall, yingbi, or zhaobi, is used to shield an entrance gate in traditional Chinese architecture. Spirit screens can be positioned either on the outside or the inside of the gate they are protecting.
Chinese architecture has influenced the architecture of many other East Asian countries. During the Tang dynasty, much Chinese culture was imported by neighboring nations. Chinese architecture had a major influence on the architectural styles of Japan, Korea, Mongolia, and Vietnam where the East Asian hip-and-gable roof design is ubiquitous.
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture , heritage, and history.
The eight treasures on a Chinese amulet.. The Eight Treasures (simplified Chinese: 八宝; traditional Chinese: 八 寶; pinyin: Bābǎo), also known as the Eight Precious Things, [1] are popular symbols often depicted in Chinese art and on Chinese numismatic charms.
Chinese pagodas (Chinese: 塔; pinyin: Tǎ) are a traditional part of Chinese architecture. In addition to religious use, since ancient times Chinese pagodas have been praised for the spectacular views they offer, and many classical poems attest to the joy of scaling pagodas.
The gates and doors of Chinese houses have long received special ritual attention. [1] Sacrifices to a door spirit are recorded as early as the Book of Rites. [1] [2] By the Han, this spirit had become the two gods Shenshu and Yulü, whose names or images were painted into peachwood and attached to doors. [1]