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A ceramic decal is a transfer system that is used to apply pre-printed images or designs to ceramic tableware, ornamental ware and tiles, and glass containers.. A decal typically comprises three layers: the color, or image, layer which comprises the decorative design; the covercoat, a clear protective layer, which may incorporate a low-melting glass; and the backing paper on which the design ...
Decalcomania (from French: décalcomanie) is a decorative technique by which engravings and prints may be transferred to pottery or other materials. A shortened version of the term is used for a mass-produced commodity, art transfer, or product label, known as a "decal".
Influenced by the Bay Area funk art movement, [2] [3] [4] he is best known for his multiple series of decal plates that rejected traditional studio ceramic practices that emphasized and valued hand-made objects, and focusing instead on mass-produced store-bought plates and commercial decals to create pieces decorated with appropriated images ...
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1] Pottery decorated using this technique is known as transferware or transfer ware.
A decal being attached to a piece of machinery. A decal (/ ˈ d iː k æ l /, US also / d ɪ ˈ k æ l /, CAN / ˈ d ɛ k əl /) [1] or transfer is a plastic, cloth, paper, or ceramic substrate that has printed on it a pattern or image that can be moved to another surface upon contact, usually with the aid of heat or water.
Daniel J. Anderson (November 2, 1945 – February 5, 2023) was an American ceramic artist, studio potter, and teacher. He was known for his depictions of architectural forms and imagery of the American Midwest, including water towers, silos and oil cans. [1]