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The opposite of painterly is linear, plastic or formal linear design. [1] Linear could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic (rather than impulsive) use of color.
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]
Simple Fourier based interpolation based on padding of the frequency domain with zero components (a smooth-window-based approach would reduce the ringing).Beside the good conservation of details, notable is the ringing and the circular bleeding of content from the left border to right border (and way around).
The valorization of flatness led to a number of art movements, including minimalism and post-painterly abstractionism. [1] [2] Modernism of the arts happened during the second half of the 19th century and extended into most of the 20th. This period of art is identified by art forms consisting of an image on a flat two-dimensional surface.
Post-painterly abstraction – 1964 – Lyrical Abstraction – mid-1960s – Process art – mid-1960s – 1970s; Arte Povera – 1967 – Art and Language – 1968, United Kingdom; Photorealism – late 1960s – early 1970s; Land art – late-1960s – early 1970s; Post-minimalism – late 1960s – 1970s; Postmodern art – 1970 – present ...
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Open form is a term coined by Heinrich Wölfflin in 1915 to describe a characteristic of Baroque art opposed to the "closed form" of the Renaissance. [2] Wölfflin tentatively offered several alternative pairs of terms, in particular "a-tectonic" and "tectonic" (also free/strict and irregular/regular), but settled on open/closed because, despite their undesirable ambiguity, they make a better ...
Monotypes are the most painterly method among the printmaking techniques, a unique print that is essentially a printed painting. The principal characteristic of this medium is found in its spontaneity and its combination of printmaking, painting, and drawing media.