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The Ghost of Yotsuya (東海道四谷怪談, Tōkaidō Yotsuya Kaidan) is a 1959 Japanese supernatural horror film directed by Nobuo Nakagawa. The film is based on the kabuki play Yotsuya Kaidan. [1] It was among the many horror films that Nakagawa adapted for Shintoho in the late 1950s and was one of the many adaptations of the play.
The Ghost of Yotsuya (1959 Daiei film) Topics referred to by the same term This disambiguation page lists articles associated with the title The Ghost of Yotsuya .
Utagawa Kuniyoshi's portrait of Oiwa.. Yotsuya Kaidan (四谷怪談), the story of Oiwa and Tamiya Iemon, [a] is a tale of betrayal, murder and ghostly revenge.Arguably the most famous Japanese ghost story of all time, it has been adapted for film over 30 times and continues to be an influence on Japanese horror today.
It was at Shintoho after the war that he became known for his cinematic adaptations of Japanese kaidan, especially his masterful version of Tokaido Yotsuya kaidan in 1959. To Western audiences, his most famous film is Jigoku (1960), which he also co-wrote. The film was released on DVD by the Criterion Collection in 2006.
Crest of Betrayal, known in Japan as Chūshingura Gaiden: Yotsuya Kaidan (Japanese: 忠臣蔵外伝 四谷怪談, "The Treasury of Loyal Retainers Side Story: Yotsuya Ghost Story"), is a 1994 Japanese film directed by Kinji Fukasaku.
Yotsuya Kaidan (四谷怪談, Yotsuya Kaidan) is a 1956 black-and-white Japanese film directed by Masaki Mori. [1] It is a Japanese horror film based on the Japanese ghost story ( kaidan ) about Oiwa and Tamiya Iemon.
The series is made up of three stories: "Yotsuya Ghost Story" (Yotsuya Kaidan), an adaptation of the classic Yotsuya Ghost Story kabuki play by Nanboku Tsuruya IV; "Goddess of the Dark Tower (Tenshu Monogatari)", based on the play by Kyōka Izumi; and "Goblin Cat (Bake Neko)", an original story by Kenji Nakamura and Michiko Yokote. [5]
To compete with the other major studios in the horror/supernatural movie field, Shintoho turned out a large group of such films between 1957 and 1960, including a number of period ghost movies and low-budget science fiction films [1] (such as the Starman (Super Giant) series which was designed to compete with rival then-popular characters ...