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Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. [3] He was the second son of Claude Adolphe Monet (1800–1871) and Louise Justine Aubrée Monet (1805–1857), both of them second-generation Parisians.
Boudin, who was fifteen years Monet's senior, became the seventeen-and-a-half-year-old Monet's first painting instructor. In the early summer of 1858, probably just a few months after Monet's first meeting Boudin, the two went on a painting expedition into Montgeon forest in Rouelles, on the north-east side of Le Havre.
Greiner, Camille Monet, 1871 Claude Monet's Camille (The Woman in the Green Dress), 1866 Camille-Léonie Doncieux (French pronunciation: [kamij leɔni dɔ̃sjø]; 15 January 1847 – 5 September 1879) was the first wife of French painter Claude Monet, with whom she had two sons.
List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
He lent it to the Galerie Georges Petit for its exhibition Claude Monet; A. Rodin in 1889. Clapisson sold it for 1,500 francs on 21 April 1892 to Durand-Ruel, who on 18 May the same year sold it on to Potter Palmer of Chicago for 7,500 francs. It descended through the Palmer family, who loaned it for a time before donating it to its present owner.
When Monet painted the Rouen Cathedral series, he had long since been impressed with the way light imparts to a subject a distinctly different character at different times of the day and the year and as atmospheric conditions change. For Monet, the effects of light on a subject became as important as the subject itself.
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Painting on site, Monet had to deal with the incoming and outgoing trains and crowds of passengers. When he sketched and started painting, his view must have been blocked by steam and smoke. In 1889, critic Hugues Le Roux recalled Monet's working process in the Gare Saint-Lazare: Claude Monet, La Gare Saint-Lazare, le train de Normandie, 1877 ...