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After developing methods for painting transient effects, Monet would go on to seek more demanding subjects, new patrons and collectors; his paintings produced in the early 1870s left a lasting impact on the movement and his peers—many of whom moved to Argenteuil as a result of admiring his depiction. [15] [53] Paintings 1858–1872
When Monet painted the Rouen Cathedral series, he had long since been impressed with the way light imparts to a subject a distinctly different character at different times of the day and the year and as atmospheric conditions change. For Monet, the effects of light on a subject became as important as the subject itself.
List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Boating on the River Epte (also known as The Canoe on the Epte) is an 1890 oil painting by French impressionist artist Claude Monet. It is currently housed at the São Paulo Museum of Art . Between 1887 and 1890 Monet concerned himself with portraying scenes from the River Epte , which skirted his property at Giverny .
Impression, Sunrise (Impression, soleil levant), Claude Monet, 1872. Impressionism would take the Barbizon school one further, rejecting once and for all a belabored style (and the use of mixed colors and black), for fragile transitive effects of light as captured outdoors in changing light (in part inspired by the paintings of J. M. W. Turner).
Claude Monet, The Water Lilies – The Clouds, 1920–1926, Musée de l'Orangerie, Paris Claude Monet, The Water Lilies – Setting Sun, 1920–1926, Musée de l'Orangerie, Paris Claude Monet, Reflections of Clouds on the Water-Lily Pond, c. 1920, 200 × 1276 cm (78.74 × 502.36 in), oil on canvas, Museum of Modern Art, New York City
[5]: 6 According to John House, the lighting in Monet's version of the scene resembles “sparkling light effects” of nature, which differs from Manet's original, which appears illuminated by studio light. [5]: 6 While Monet’s painting was inspired by Manet, it carries a different message from the original work.