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Blue Willow by Doris Gates (1940) [10] is a children's novel, a realist fictional account of the Dust Bowl and the Great Depression years that has been called "The Grapes of Wrath for children". [11] The eponymous Blue Willow plate, a gift from her great-grandmother, is the prized possession of Janey Larkin, the young daughter of a migrant ...
Blue and white ware did not accord with Chinese taste at that time, the early Ming work Gegu Yaolun (格古要論) in fact described blue as well as multi-coloured wares as "exceedingly vulgar". [16] Blue and white porcelain however came back to prominence in the 15th century with the Xuande Emperor, and again developed from that time on. [14]
In addition to the china produced for distribution as premiums to Larkin customers, Buffalo Pottery produced many lines of semi-vitreous china, including Deldare Ware, Roosevelt Bears, and Abino Ware, as well as the first Blue Willow dinnerware manufactured in the United States. [4] These wares were distributed via wholesale and retail channels.
A 20th century version of The Willow Pattern, a typical Staffordshire Potteries product in blue and white transfer printed earthenware. Thomas Minton (1765–1836) was an English potter. He founded Thomas Minton & Sons in Stoke-on-Trent, Staffordshire, which grew into a major ceramic manufacturing company with an international reputation.
Today, Delfts Blauw (Delft Blue) is the brand name hand painted on the bottom of ceramic pieces identifying them as authentic and collectible. Although most Delft Blue borrows from the tin-glaze tradition, it is nearly all decorated in underglaze blue on a white clay body and very little uses tin glaze, a more expensive product.
Chinese blue and white ware then became extremely popular in the Middle East, where both Chinese and Islamic types coexisted. Most surviving Iranian blue and white ware are bowls with narrow foot-rings and some distinctive shapes of Chinese blue and white wares like a high-shouldered vase known as meiping in China.