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Music performed a cappella (/ ˌɑː kəˈpɛlə / AH kə-PEL-ə, UK also / ˌæ kəˈpɛlə / AK ə-PEL-ə, Italian: [a kkapˈpɛlla]; [1] lit. 'in the style of the chapel'), less commonly spelled a capella in English, [2] is music performed by a singer or a singing group without instrumental accompaniment. The term a cappella was originally ...
One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).
Stile Antico: early music vocal ensemble. Tallis Scholars (Peter Phillips): a cappella Renaissance music. Taverner Consort and Players (Andrew Parrott): Renaissance choir and baroque orchestra. Theatre of Voices: vocal consort. Tonus Peregrinus (Antony Pitts): Renaissance and contemporary choir.
Gyffard partbooks. The 'Gyffard' Partbooks ( British Library [ GB - Lbl] Add. MS 17802–5; also spelled Giffard) are an important set of English Renaissance choral partbooks, containing pieces by composers such as Thomas Tallis and John Sheppard, as well as additional unnamed composers, which are not found in other sources.
The spacious, resonant interior of this building was an inspiration for the development of this musical style. The Venetian polychoral style was a type of music of the late Renaissance and early Baroque eras which involved spatially separate choirs singing in alternation. It represented a major stylistic shift from the prevailing polyphonic ...
The Sistine Chapel Choir, as it is generally called in English, or officially the Coro della Cappella Musicale Pontificia Sistina in Italian, is the Pope's personal choir. It performs at papal functions in the Sistine Chapel and in any other church in Rome where the Pope is officiating, including St. Peter's Basilica.
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