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  2. The Roses of Heliogabalus - Wikipedia

    en.wikipedia.org/wiki/The_Roses_of_Heliogabalus

    The Roses of Heliogabalus is an oil painting by the Anglo-Dutch artist Sir Lawrence Alma-Tadema, from 1888. It depicts the young Roman emperor Elagabalus (203–222 AD) hosting a banquet. It is held in a private collection.

  3. Black rose symbolism - Wikipedia

    en.wikipedia.org/wiki/Black_rose_symbolism

    The flowers commonly called black roses do not really exist in said color, instead they actually have a dark shade, such as the "Black Magic", "Barkarole", "Black Beauty" and "Baccara" varieties. They can be artificially colored as well. [1] [2] In the language of flowers, roses have many different meanings. Black roses symbolize ideas such as ...

  4. Rosa 'Wedding Bells' - Wikipedia

    en.wikipedia.org/wiki/Rosa_'Wedding_Bells'

    Blooms are large, 4—5 in (10—12 cm) in diameter, with over 40 petals. Buds are long, pointed, and ovoid. Flowers have a very full, high-centered bloom form, with over 40 petals. Blooms are borne mostly solitary, and are medium pink in color. The rose has a moderate, old rose fragrance and semi-glossy, dark green foliage.

  5. Rose symbolism - Wikipedia

    en.wikipedia.org/wiki/Rose_symbolism

    A red rose is a gift primarily given to a love interest, symbolizing a marital or romantic relationship. Wedding bouquets often include white roses, symbolizing virtue. Red is traditionally seen as a symbol of passion, while white is a symbol of purity and innocence.

  6. Artificial plants - Wikipedia

    en.wikipedia.org/wiki/Artificial_plants

    The next step is to assemble the petals and other parts of the flower, which is built up from the center outwards. Flower bouquet with prepared rose blossoms and silk flowers; The fifth is to mount the flower on a stalk of brass or iron wire wrapped with suitably colored material, and to add the leaves to complete the spray. [1]

  7. Language of flowers - Wikipedia

    en.wikipedia.org/wiki/Language_of_flowers

    Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.

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