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A rangoli on the occasion of Diwali, Goa, India A rangoli made with flowers on the occasion of Onam Rangoli at Delhi, India Rangoli is an art form that originates from the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered limestone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks.
Kolam (Tamil: கோலம், Malayalam: കോലം, Kannada: ರಂಗೋಲೆ), also known as Muggu (Telugu: ముగ్గు), Tarai Alangaram (Tamil: தரை அலங்காரம்) and Rangoli (Kannada: ರಂಗೋಲೆ), is a form of traditional decorative art that is drawn by using rice flour as per age-old conventions. It ...
The Kasuti embroidery features folk designs influenced by rangoli patterns of Karnataka. In Karnataka Sarees embroidered with Kasuti were expected to be a part of the bridal trousseau of which one saree made of black silk with Kasuti embroidery called Chandrakali saree was of premier importance.
An alpana is usually created on flooring, generally directly on the ground. On this, a wet white pigment made of rice flour and water (or in some places, chalk powder and water) is used to outline the alpana, with the paint being applied by the artist's finger tips, a small twig, or a piece of cotton thread that is soaked in the dye, or fabric. [3]
Jhoti chita (Odia: ଝୋଟି ଚିତା, romanized: jhoṭi citā) is a traditional Odia white art mostly shown in rural areas of Odisha.It is made from rice paste and with a piece of cloth surrounded with a stick is used to create beautiful patterns. [1]
A yantra is similar to a mandala, usually smaller and using a more limited colour palette. It may be a two- or three-dimensional geometric composition used in sadhanas, puja or meditative rituals, and may incorporate a mantra into its design. It is considered to represent the abode of the deity.
Chowk-poorana or Chowkpurana is folk art practised in Punjab, Haryana, Himachal Pradesh, Madhya Pradesh and Uttar Pradesh. [1] In Uttar Pradesh, the term chowk-poorana refers to decorating the floor with various designs using flour and rice [2] and also the walls using designs specific to the region.
The pattern is made by winding the weft threads back over the warp threads when a colour boundary is reached. This technique leaves a gap or vertical slit, so kilims are sometimes called slit-woven textiles. Kilims are often decorated with geometric patterns with 2- or 4-fold mirror or rotational symmetries.