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Pages in category "Artists from Bruges" The following 59 pages are in this category, out of 59 total. ... (Bruges) Master of the Plump-Cheeked Madonnas;
Georges Emile Lebacq, Belgian artist, painter, colourist, pastellist, Impressionist, Post-Impressionist (1876–1950) Karel Verleye and Hendrik Brugmans, founders of the College of Europe; Godfried Danneels, archbishop and cardinal (born 1933) Pieter Aspe, writer
W. H. James Weale in London in 1904. William Henry James Weale (8 March 1832 [1] – 26 April 1917 [2]) was a British art historian who lived and worked most of his life in Bruges and was one of the first to research the Early Netherlandish painting (then better known as "Flemish Primitives") extensively.
The Arnolfini Portrait, oil on oak, 1434. National Gallery, London. Jan van Eyck (/ v æ n ˈ aɪ k / van EYEK; Dutch: [ˈjɑɱ vɑn ˈɛik]; c. before 1390 – 9 July 1441) was a Flemish painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art.
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid. Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1]
Hans Memling (also spelled Memlinc; c. 1430 – 11 August 1494) was a German-Flemish painter who worked in the tradition of Early Netherlandish painting.Born in the Middle Rhine region, he probably spent his childhood in Mainz.
George Lambourn (18 July 1900 – 1977) was a British artist, who although born in London, ... While in Bruges he developed his interest in art and painting. [3]
Edward Hodnett: Marcus Gheeraerts the Elder of Bruges, London, and Antwerp, Utrecht (Haentjens Dekker & Gumbert) 1971. William B. Ashworth: Marcus Gheeraerts and the Aesopic connection in seventeenth-century scientific illustration, Art Journal', 44 (1984), 132–138.