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Chairman Mao en route to Anyuan is a 1967 oil painting by Liu Chunhua. It pictures a young Mao Zedong as one of the common people, ready to take on any obstacle that comes forth. This artwork is a strong example of Chinese communist propaganda and shows the devotion which their culture had to Chairman Mao.
Guan Liang was born in Panyu, Guangdong province in 1900. In 1917 he went to Tokyo, Japan, where he studied oil painting under Fujishima Takeji. [4] After returning to China in 1922, he taught at the Shanghai Fine Arts School and the National Academy of Art (present-day China Academy of Art) in Hangzhou.
Sickman, Laurence, in: Sickman L & Soper A, "The Art and Architecture of China", Pelican History of Art, 3rd ed 1971, Penguin (now Yale History of Art), LOC 70-125675 Stanley-Baker, Joan (June 2010b), Ink Painting Today (PDF) , vol. 10, Centered on Taipei, pp. 18– 21, archived from the original (PDF) on March 21, 2012
From the annotations of the text of the painting, on the 11th month of 1329, the painting entered the collection of Jayaatu Khan Tugh Temür (Emperor Wenzong of Yuan), whose ownership of the painting was seen as a reminder of his duties to his subjects, as according to Cahill, the painting evokes the hardships of the everyman. [4] [7]
Li Cheng did many landscape paintings with diluted ink, a technique called "treating ink like gold", which gives the appearance of a foggy dream world. In his day, he was considered the greatest landscape painter of all time. His paintings carried on an artistic dialogue with those of Wu Daoxuan. Li Cheng primarily portrayed the landscapes of ...
For a three-month period in the World Expo 2010 presented at the China Pavilion, the original painting was remade into a 3D animated, viewer-interactive digital version, titled River of Wisdom; at 128 × 6.5 m, it is roughly 30 times the size of the original scroll. The computer-animated mural, with moving characters and objects and portraying ...
Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". It was formed in a long period of artistic activities and promoted by the literati.
Xia Gui (Song dynastic era) – Mountain Market- Clear with Rising Mist, one of the 8 scenarios.. The Eight Views of Xiaoxiang is thematically part of a greater tradition. . Generally, it is a theme that as artistically rendered in painting and poetry tends towards the expression of an underlying deep symbolism, such as exile and enlighten