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The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming at regular intervals (e.g. in iambic pentameters, usually every even-numbered syllable).
If one counted all syllables, not just stressed syllables, such hymns follow what is called an 86.86 pattern, with lines of eight syllables alternating with lines of six syllables. This form is also known as common metre. By contrast most hymns in an 87.87 pattern are trochaic, with strong-weak syllable pairs: Love divine, all loves excelling,
The stressed syllables are ordered along the same basic hierarchy of the alliteration; it is very rare that a stressed syllable would be a preposition or pronoun. Words such as God, King, and proper nouns are very frequently stressed. After we apply stresses to the appropriate syllables, we must find the unstressed and secondary-stressed syllables.
A line of Anglo-Saxon verse is made up of two half-lines. Each of these half-lines contains two main stresses (or 'lifts'). Sievers categorized three basic types of half-line that were used. Here a stressed syllable is represented by the symbol '/' and an unstressed syllable by the symbol 'x'.
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...
Doggerel: a bad verse, traditionally characterized by clichés, clumsiness, and irregular meter. Free verse and vers libre: an open form of poetry that does not use consistent of meter patterns, rhyme, or any musical pattern, therefore tending to follow the rhythm of natural speech. Knittelvers; Heroic verse
Poetic Meter and Poetic Form is a book by Paul Fussell, published by McGraw Hill in 1965, and later as a revised edition in 1979 (ISBN 0-07-553606-4). Fussell distinguishes four types of meter [1] : Syllabic
Resolution is the metrical phenomenon in poetry of replacing a normally long syllable in the meter with two short syllables. It is often found in iambic and trochaic meters, and also in anapestic, dochmiac and sometimes in cretic, bacchiac, and ionic meters. In iambic and trochaic meters, either the first or the second half of the metrical foot ...