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Le Tallec's pieces without these marks are likely to be produced between 1930 and 1941. Incrementation of the dating system was done every six-month period from 1941 to 1991, then every year since. By 1978, date of the transfer of the atelier from Belleville to rue de Reuilly in Paris, the date mark starts by R (for Reuilly), then the letter.
Some pieces are unmarked in all periods, and there appears to be some overlapping of marks; indeed some pieces have two different marks. There are also anchor marks in blue and brown, [12] and an extremely rare "crown and trident" mark in underglaze blue, known on only about 20 pieces, and thought to date from around 1749. A chipped beaker with ...
The distinction between the factory marks and trademarks in England became clear by the 17th century in the cloth trade: the manufacturer marks (initials of the maker weaved into the cloth) were required from the producers by regulations and represented a liability, while the trademark (mark of the clothier) represented the goodwill, an asset ...
A mark is a written or imprinted symbol used to indicate some trait of an item, for example, its ownership or maker. [1] [2] Mark usually consists of letters, numbers, words, and drawings. [3] Inscribing marks on the manufactured items was likely a precursor of communicative writing. [4] Historically, the marks were used for few purposes: [5]
The American “art ceramic” movement of the 19th and early 20th centuries has inspired today’s U.S.-based ceramic makers, especially those working at the custom level for luxury clients ...
However, later the mark changed to an unrelated device with "Rockingham Works Mexborough" (or "Mexboro") as the subtitle, except on works produced for the Fitzwilliam household which retained the griffin mark. [10] Use of these marks together with the brown glaze and gilding on non-Rockingham shapes makes Baguley pieces easy to identify.
Linthorpe Art Pottery can have up to four identifying marks. Firstly, the factory mark, of which there are several variations, the earliest of which was the work Linthorpe impressed, this was latterly combined with the shape of mould number one, with this being registered on 14 November 1882 as a Trademark. A slight variant of this mark was ...
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