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The Conversion of Saint Paul (or Conversion of Saul), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome. It is one of at least two paintings by Caravaggio of the same subject, the Conversion of Paul. Another is The Conversion of Saint Paul on the Road to Damascus, in the Cerasi Chapel of Santa Maria del Popolo.
The contract signed on 24 September 1600 stipulates that "the distinguished painter, Michelangelo Merisi da Caravaggio" will paint two large cypress panels, ten palms high and eight palms wide, representing the conversion of Saint Paul and the martyrdom of Saint Peter within eight months for the price of 400 scudi. The contract gave a free hand ...
The Conversion of Saint Paul, Luca Giordano, 1690, Museum of Fine Arts of Nancy The Conversion of Saint Paul, Caravaggio, 1600. The conversion of Paul the Apostle (also the Pauline conversion, Damascene conversion, Damascus Christophany and Paul's "road to Damascus" event) was, according to the New Testament, an event in the life of Saul/Paul the Apostle that led him to cease persecuting early ...
Conversion of Saint Paul on the Road to Damascus: Rome, Cerasi Chapel: 230 × 175 cm Oil on canvas: 1601: Still Life with Flowers and Fruit: Rome, Borghese: 105 × 184 cm Oil on canvas: Attributed to Painter of the Hartford Still Life 1601: The Incredulity of Saint Thomas (Ecclesiastical Version) Florence, Private Collection 118 × 156.5 cm Oil ...
The Crucifixion of Saint Peter (Italian: Crocifissione di san Pietro) is a work by Michelangelo Merisi da Caravaggio, painted in 1601 for the Cerasi Chapel of Santa Maria del Popolo in Rome. Across the chapel is a second Caravaggio work depicting the Conversion of Saint Paul on the Road to Damascus (1601).
The Conversion of Saint Paul (Caravaggio) M. The Conversion of Saint Paul (Maíno) The Conversion of Saul (Michelangelo) The Conversion of Saint Paul (Murillo) P.
Caracci painted The Assumption of Mary while Caravaggio depicted the Conversion of Saint Paul and the Crucifixion of Saint Peter on the lateral walls. Cerasi's choice of the Assumption for the altar seems straightforward enough, while the other two paintings honoured the Apostles central to the foundation of the Catholic Church as well as ...
Basket of Fruit, c. 1595–1596, oil on canvas, Pinacoteca Ambrosiana, Milan. Caravaggio (Michelangelo Merisi or Amerighi) was born in Milan, where his father, Fermo (Fermo Merixio), was a household administrator and architect-decorator to the marquess of Caravaggio, a town 35 km (22 mi) to the east of Milan and south of Bergamo. [7]