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Tuesday Weld (born Susan Ker Weld; August 27, 1943) is an American former actress. She began acting as a child and progressed to mature roles in the late 1950s. She won a Golden Globe Award for Most Promising Female Newcomer in 1960. Over the following decade, she established a career playing dramatic roles in films.
Wild in the Country is a 1961 American musical-drama film directed by Philip Dunne and starring Elvis Presley, Hope Lange, Tuesday Weld, Millie Perkins, Rafer Johnson and John Ireland. Based on the 1958 novel The Lost Country by J. R. Salamanca, the screenplay concerns a troubled young man from a dysfunctional family who pursues a literary career.
Experienced child actress Tuesday Weld was cast as Dobie's love interest in "Caper at the Bijou" and stayed on as a semiregular. Weld and Dwayne Hickman had previously appeared as a teenaged couple in the 1958 Fox feature film Rally 'Round the Flag, Boys!, based on a Max Shulman novel, though produced without his input. [2]
Ethan continues to have feelings of depression and anxiety brought about by his uneasy relationship with his wife and kids, risky flirtation with Margie Young-Hunt (Tuesday Weld), and a plan to sell his property and a house of a close friend to a banker who wants to build a shopping mall.
I Walk the Line is a 1970 American neo noir drama film directed by John Frankenheimer and starring Gregory Peck and Tuesday Weld. It tells the story of Sheriff Henry Tawes (Peck) who develops a relationship with a girl in town, Alma McCain (Weld). The screenplay, written by Alvin Sargent, is an adaptation of Madison Jones' novel An Exile.
Moore was married and divorced four times: to actresses Suzy Kendall (15 June 1968 – 15 September 1972); Tuesday Weld (20 September 1975 – 18 July 1980), with whom he had a son, Patrick, on 26 February 1976; Brogan Lane (21 February 1988 – 1991); [24] and Nicole Rothschild (16 April 1994 – 1998), with whom he had a son, Nicholas, on 28 ...
The film was written and directed by Richard Brooks, and stars Diane Keaton, Tuesday Weld, William Atherton, Richard Kiley, and Richard Gere. The film was a commercial success, earning $22.5 million, [a] and received generally favorable reviews, with much of the praise directed towards Keaton's performance.
Vincent Canby of The New York Times found the screenplay and direction "banal", but effused praise for the performances of Weld and Perkins. "The film is beautifully performed by Tuesday Weld as Maria and Anthony Perkins as B.Z., but the whole thing has turned soft," Canby writes. [4] Critic John Simon described Play it as it Lays as "a very ...