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"Why Does My Heart Feel So Bad?" is a song by American electronica musician Moby. It was released on October 11, 1999, as the fourth single from his fifth studio album Play . It became a hit in several regions, including German-speaking Europe and the United Kingdom.
"Natural Blues" is a song by American electronic musician Moby. It was released on March 6, 2000, as the fifth single from his fifth studio album, Play (1999). The song is built around vocals sampled from "Trouble So Hard" by American folk singer Vera Hall (1937).
It was released as a double A-side single with Moby's song "I Feel It" in the United States, serving as the fourth and final single released from his self-titled debut album. "Thousand" was listed in Guinness World Records for having the second fastest tempo in beats-per-minute (BPM) of any released single, peaking at approximately 1,015 BPM.
"Bodyrock" is a song by American electronica musician Moby. It was released as the third single from his fifth studio album Play on July 12, 1999. [3] Heavily inspired by hip hop music, the song incorporates vocal samples from "Love Rap" by Spoonie Gee and the Treacherous Three.
Moby was released by the New York-based independent label Instinct Records on July 27, 1992. [1] [10] In an interview with Billboard at the time of the album's release, Moby stated that "all the songs are at least a year old.
The remix was released as a double A-side single with "Why Does My Heart Feel So Bad?" on October 16, 2000, and peaked at number 17 on the UK Singles Chart. [25] [26] It was also issued by Festival Mushroom Records as a double A-side single with "Porcelain" in Australia and New Zealand, [27] charting at number 56 in the former. [28]
These Systems Are Failing is the thirteenth studio album by American electronica musician Moby and the debut studio album by Moby & The Void Pacific Choir, a musical project formed by Moby with musicians Mindy Jones, Julie Mintz, Joel Nesvadba, Jamie Drake, Jonathan Nesvadba, and Lauren Tyler Scott. [9]
Everything Is Wrong was released to critical acclaim. [7] Spin ' s Barry Walters praised its diverse musical range compared to most other "one-dimensional" electronic albums and dubbed it "a hugely passionate album held together by its intensity". [16]