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Currently, he is in the process of writing a collection of prose poems for Copper Canyon Press entitled Mornings with Borges. He is also working on a set of political poems that address disability. Stephen also founded a foundation Kaleidoscope Connections LLC with his wife Connie which helps to raise awareness of disability.
Hiraeth (Welsh pronunciation: [hɪraɨ̯θ, hiːrai̯θ] [1]) is a Welsh word that has no direct English translation. The University of Wales, Lampeter, likens it to a homesickness tinged with grief and sadness over the lost or departed, especially in the context of Wales and Welsh culture. [2]
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Hymn: a poem praising God or the divine (often sung). Lament: any poem expressing deep grief, usually at a death or some other loss. Dirge; Elegy: a poem of lament, praise, and consolation, usually formal and sustained, over the death of a particular person. Example: "Elegy Written in a Country Churchyard" by Thomas Gray. Light: whimsical poems ...
In the Republic, Book X, Plato discusses forms by using real things, such as a bed, for example, and calls each way a bed has been made a "bedness". He commences with the original form of a bed, one of a variety of ways a bed may have been constructed by a craftsman and compares that form with an ideal form of a bed, of a perfect archetype or image in the form of which beds ought to be made ...
Some people consider it best to use person-first language, for example "a person with a disability" rather than "a disabled person." [1] However identity-first language, as in "autistic person" or "deaf person", is preferred by many people and organizations. [2] Language can influence individuals' perception of disabled people and disability. [3]
Death poem; Death wail; Elegy; Endecha – Galician lament, subgenre of the planto; Keening; Kinah (plural: kinnot) – Kinnot are traditional Hebrew poems recited on Tisha B'Av lamenting the destruction of the First and Second Temples and other historical catastrophes. (The term "kinah" also appears in the Bible, referring to lamentation).
The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of How Does a Poem Mean?, John Ciardi speaks thus of the "fulcrum" in relation to the non-sonnet poem "O western wind" (O Western Wind/when wilt thou blow/The small rain down can rain//Christ! my love were in my arms/and I in my bed again): 'The first two lines are a cry of anguish to the western wind ...