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For example, John Donne and the metaphysical poets developed the conceit as a literary device, where an elaborate, implausible, and surprising analogy was demonstrated. In Renaissance poetry, and particularly in sonnets, the contrast was similarly used as a poetic argument. In such verse, the entire poem argues that two seemingly alike or ...
The 2004 AQA Anthology was a collection of poems and short texts. The anthology was split into several sections covering poems from other cultures, the poetry of Seamus Heaney, [4] Gillian Clarke, Carol Ann Duffy and Simon Armitage, and a bank of pre-1914 poems. There was also a section of prose pieces, which could have been studied in schools ...
Though the term 'concrete poetry' is modern, the idea of using letter arrangements to enhance the meaning of a poem is old. Such shaped poetry was popular in Greek Alexandria during the 3rd and 2nd centuries BCE, although only the handful which were collected together in the Greek Anthology now survive.
Anthology of Twentieth-Century British and Irish Poetry, 2001; Book of Aneirin (c. 1265), Welsh medieval manuscript; The Best American Poetry series; Best New Poets series; British Poetry since 1945, 1970; Broadview Anthology of Poetry, 1993; Children of Albion: Poetry of the Underground in Britain, 1969; Conductors of Chaos: A Poetry Anthology ...
Metaphor: a rhetorical figure of speech marked by implicit comparison, rather than direct or explicit comparison like in a simile. In a metaphor, the tenor is the subject to which attributes are ascribed (i.e., the target); the vehicle is the subject from which the attributes are derived/borrowed (i.e., the source); and ground is the shared ...
The Norton Anthology of Modern and Contemporary Poetry is an anthology of two volumes edited by Jahan Ramazani, Richard Ellmann (1918–1987), and Robert O'Clair. The anthology is large, with 1,100 pages in each of the two volumes. Volume I, about modern poetry, and Volume II, contemporary poetry. Essays on poetics are included in each volume. [1]
The nightingale of "Ode to a Nightingale" is separated from humanity and does not have human concerns. In contrast, being a piece of art, the urn requires an audience and is in an incomplete state on its own. This allows the urn to interact with humanity, to put forth a narrative, and allows for the imagination to operate.
The Oxford poetry anthologies ('Oxford Books') are traditionally seen as 'establishment' in attitude, and routinely therefore are subjects of discussion and contention. They have been edited both by well-known poets and by distinguished academics.