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House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture that consisted of Black gay men and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
The early house music sound was a "dialogue" between Hispanic, [2] and Black American post-disco [3] [4] [5] and European post-punk [6] [7] electronic music and their traditions with Italo-disco picked or, emulated the most, [8] as the template for house music. [9]
The Warehouse was a place that allowed house music to flourish as a continuation of disco under Frankie Knuckles. It continued the tradition of making music for the club, for people to truly feel and to create a holy dance atmosphere and experience over just trying to make something that could get hits on the radio or top 40 charts.
Ahead of Beyoncé's "Renaissance" album release, read a brief history of house music, a genre pioneered by Frankie Knuckles and Ron Hardy.
The house music genre was created to liberate: to liberate Black people cast aside from nightlife, particularly queer Black people who found solace in the re-creation of disco-beats for them to dance.
Deep house is a subgenre of house music [1] [3] [4] that originated in the 1980s, initially fusing elements of Chicago house with the lush chords of 1980s jazz-funk and touches of soul music. Its origins are attributed to the early recordings of Larry Heard (aka Mr. Fingers), including his influential track " Can You Feel It ".
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Organic house is a mellow and groovy subgenre of house music that emphasizes on acoustic instruments and natural sounds. The genre was made as a way to express a "deeper, more meditative, and occasionally slower shades of house music", [15] often combining elements of Deep House, Melodic House, Electronica, and Afro House.