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To provide a good bass sound, a fusion electric bass player will often use a powerful bass amplifier and a larger speaker cabinet than an upright player would use, such as a 4X10" cabinet, or even two 4X10" cabinets. In a jazz setting, the electric bass tends to have a much more expansive solo role than in most popular styles.
Some bass amps have a 15 or 20 dB pad which can be used to attenuate "hot" signals, such as basses with an internal preamplifier (depending on the model of amplifier, some brands may provide two inputs (high and low gain) instead of providing a "pad". This pad can be turned on using a button. Some bass amps have an even stronger pad, a 40 dB pad.
This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
In 1960, Ampeg introduced the B-15, a bass combo amplifier with an innovative flip-top function, invented and patented by Oliver. The B-15 was the first in the company's Portaflex series, and after becoming the preferred studio amp of session musicians like James Jamerson and Chuck Rainey.
The 400 BH power amp module was used in a range of bass amps during the early 1980s, commencing with the MKIII Bass Head in 1979. The MKIV Bass Amp head unit, introduced in 1981, offers a range of functions. It is air cooled, features protection circuitry, and is capable of around 300/350 watts RMS safely into 2 ohms.
The Ampeg SVT is a bass guitar amplifier designed by Bill Hughes and Roger Cox for Ampeg and introduced in 1969. The SVT is a stand-alone amplifier or "head" as opposed to a "combo" unit comprising amp and speaker(s) in one cabinet, and was capable of 300 watts output at a time when most amplifiers could not exceed 100 watts output, making the SVT an important amp for bands playing music ...
fuzz bass. Growling, overdriven electric bass produced with a distortion effect or by turning up a tube bass amplifier. In the late 1960s, fuzz bass was associated with psychedelic rock and drug-fuelled jams. By the 1970s and 1980s, fuzz bass was used by hard rock and metal bands. In the 1980s, it was used in hardcore punk and thrash records.
Power Jazz Bass Special – same specs as the Jazz Bass Special except for the addition of a reversed split P-Bass pickup, active electronics and a 22-fret neck. Jazz Bass Special – featured black hardware, P/J pickup configuration with 3-way switching, two volume and one TBX tone control (reissued as the Duff McKagan Precision Bass in 2007).