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To provide a good bass sound, a fusion electric bass player will often use a powerful bass amplifier and a larger speaker cabinet than an upright player would use, such as a 4X10" cabinet, or even two 4X10" cabinets. In a jazz setting, the electric bass tends to have a much more expansive solo role than in most popular styles.
fuzz bass. Growling, overdriven electric bass produced with a distortion effect or by turning up a tube bass amplifier. In the late 1960s, fuzz bass was associated with psychedelic rock and drug-fuelled jams. By the 1970s and 1980s, fuzz bass was used by hard rock and metal bands. In the 1980s, it was used in hardcore punk and thrash records.
Some bass amps have a 15 or 20 dB pad which can be used to attenuate "hot" signals, such as basses with an internal preamplifier (depending on the model of amplifier, some brands may provide two inputs (high and low gain) instead of providing a "pad". This pad can be turned on using a button. Some bass amps have an even stronger pad, a 40 dB pad.
A mid-sized bass amp used to amplify a double bass at a small jazz gig. In popular music genres, the instrument is usually played with amplification and almost exclusively played with the fingers, pizzicato style. The pizzicato style varies between different players and genres.
Power Jazz Bass Special – same specs as the Jazz Bass Special except for the addition of a reversed split P-Bass pickup, active electronics and a 22-fret neck. Jazz Bass Special – featured black hardware, P/J pickup configuration with 3-way switching, two volume and one TBX tone control (reissued as the Duff McKagan Precision Bass in 2007).
In 1960, Ampeg introduced the B-15, a bass combo amplifier with an innovative flip-top function, invented and patented by Oliver. The B-15 was the first in the company's Portaflex series, and after becoming the preferred studio amp of session musicians like James Jamerson and Chuck Rainey.
Fender Silverface Bassman amp AB165 amplifier, with a 2×15" speaker cabinet. The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. [citation needed] Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars.
The 400 BH power amp module was used in a range of bass amps during the early 1980s, commencing with the MKIII Bass Head in 1979. The MKIV Bass Amp head unit, introduced in 1981, offers a range of functions. It is air cooled, features protection circuitry, and is capable of around 300/350 watts RMS safely into 2 ohms.