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Sylvia Plath. The Sylvia Plath effect is the phenomenon that poets are more susceptible to mental illness than other creative writers. The term was coined in 2001 by psychologist James C. Kaufman, and implications and possibilities for future research are discussed. [1]
Since it allowed for the study of gloomy ideas, writing, and topics, Dark Romanticism had a huge effect on American literature. Dark Romanticism began as a response to the Transcendental movement of the mid-nineteenth century. This was a mental shift in thinking from rigid religious Puritan thought to a dark, immoral point of view. People were ...
Greenberg echoes this sentiment, noting that Plath was not nuanced in referencing mental illness and heartbreak within her poetry, namely "Mad Girl's Love Song", but because she was a young woman she was labeled as mentally ill or crazed young girl rather than celebrated as an iconic poet. [2]
Lisa, Bright and Dark, 1968 novel by John Neufeld. A story about a teenager's descent into madness. Thirteen Reasons Why, 2007 novel by Jay Asher. About a teenage girl who is suffering from depression which results in suicide. Many other characters are also suffering from mental illnesses including bipolar, anxiety, PTSD, and also depression.
LVOE: Poems, Epigrams & Aphorisms was released on November 1, 2022. It was an Instant International and National Bestseller. [29] SPARK: The One Sentence Journal is a short-form journal released by Atticus to promote joy and positive mental health. The Best of Atticus Collection: In Nov 2023, Atticus released a “Best Of” collection of ...
"Do not go gentle into that good night" is a poem in the form of a villanelle by Welsh poet Dylan Thomas (1914–1953), and is one of his best-known works. [1] Though first published in the journal Botteghe Oscure in 1951, [ 2 ] Thomas wrote the poem in 1947 while visiting Florence with his family.
Experts say vehicle-based attacks are simple for a 'lone wolf' terrorist to plan and execute, and challenging for authorities to prevent.
The Age of Anxiety: A Baroque Eclogue (1947; first UK edition, 1948) is a long poem in six parts by W. H. Auden, written mostly in a modern version of Anglo-Saxon alliterative verse. The poem deals, in eclogue form, with man's quest to find substance and identity in a shifting and increasingly industrialized world.