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He has made live performances of pibroch and early Irish music on the wire harp available online on video via YouTube. [164] A promising emerging generation of wire-strung harpers and scholars are also disseminating transcriptions of pibroch performed on the harp via YouTube. [165]
Only two quadrangular instruments occur within the Irish context on the west coast of Scotland and both carvings date two hundred years after the Pictish carvings. [14] The first true representations of the Irish triangular harp do not appear till the late eleventh century in a reliquary and the twelfth century on stone and the earliest harps used in Ireland were quadrangular lyres as ...
Kelly learned music from her father and began learning the harp from when she was 12. She learned from Ann-Marie Scanlon and Kim Fleming as well as John Hoban. Kelly has been described as the "most significant harper of her generation". She has founded a number of groups including Bumblebees and Fiddletree with whom she has several albums each.
"Crystal Harp" solid-body (Goas-Stivell, 1987) Alan Stivell was born in the Auvergnat town of Riom.His father, Georges (Jord in Breton) Cochevelou, was a civil servant in the French Ministry of Finance who achieved his dream of recreating a Celtic or Breton harp in the small town of Gourin, Brittany [2] and his mother Fanny-Julienne Dobroushkess was of Lithuanian-Jewish descent.
Lisa Lynne is a Celtic harpist, a composer and new-age recording artist. She is a self-proclaimed multi-instrumentalist who has "spent the last eighteen years pursuing her passion for the Celtic harp." Lynne released her first solo albums, starting in 1992, as Lisa Franco on the German label Innovative Communication.
Over time he had many other harp teachers including Gwendolen Mason. [3] In 1965 he became an oboist and harpist with the BBC Northern Ireland Orchestra. [4] He had been known to be able to skilfully play the pedal harp, neo-Celtic harp, and wire-strung Irish-Bardic harp. Bell served as a professor of harp at the Academy of Music in Belfast. [5]
De Barra comes from a family of traditional musicians and singers from Dublin with roots in County Cork. He studied Irish harp with his grandmother, Róisín Ní Shé, in Dublin and went on to study concert harp in the US with Leone Paulson. Cormac's professional debut was a six-month tour in Osaka, Japan playing in the Irish Exhibition at Expo ...
The release of this album with its fusion of classical, traditional folk and rock music, its mixture of instruments (cello, harp, electric guitar, traditional and modern drums) and its evocation of a utopian atmosphere and vision of humans in harmony with nature, immediately set it as a benchmark in the Celtic music revival of the 1970s.