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In a small number of cases, different symbols apply to different parts of the catalogue. Among the most famous examples of this are: the BWV numbers allocated to Johann Sebastian Bach's works in the Bach-Werke-Verzeichnis (Bach Works List) developed by Wolfgang Schmieder. They are also sometimes referred to by their S numbers (after Schmieder)
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when ...
second half of 1st millennium BC — The Lo Shu Square, the unique normal magic square of order three, was discovered in China. c. 400 BC — Jaina mathematicians in India write the “Surya Prajinapti”, a mathematical text which classifies all numbers into three sets: enumerable, innumerable and infinite.
Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times.
The spatial and chronological ordinal numbers corresponding to cardinals from 13 to 19 are the number followed by the suffix -th, as "sixteenth". For multiples of ten, the same principle applies, with terminal -y changed to -ieth , as "sixtieth".
For example, the line "the little wit that fools have was silenced" (1.2.82–83) may refer to the book burnings of June 1599, and Jacques' "All the world's a stage" monologue (2.7.139–166) is a possible reference to the motto of the newly opened Globe Theatre; "Totus mundus agit histrionem " ("all the world is a playground"), taken from ...
Early modern period – The chronological limits of this period are open to debate. It emerges from the Late Middle Ages (c. 1500), demarcated by historians as beginning with the fall of Constantinople in 1453, in forms such as the Italian Renaissance in the West, the Ming dynasty in the East, and the rise of the Aztecs in the New World.
This listing uses the traditional opus numbers where they apply; other works are identified by numbers from the catalogues of Maurice J. E. Brown (B), Krystyna Kobylańska (KK), Józef Michał Chomiński (A, C, D, E, P, S), and the Chopin National Edition (WN). The last opus number Chopin used was 65, that allocated to the Cello Sonata in G ...