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The Cambridge Companion to Greek and Roman Theatre (Cambridge University Press, 2007). Rehm, Rush. Greek Tragic Theatre (Routledge, 1994). McLeish, Kenneth & Griffiths, Trevor R. A Guide to Greek Theatre and Drama (Methuen, 2003). Wiles, David. Tragedy in Athens(Cambridge University Press, 1999) Laver, James. Costume in the Theatre(Harrap, 1964)
A high-heeled buskin (Greek kothornos (Greek: κόθορνος) or Latin cothurnus) was worn by Athenian tragic actors (to make them look taller). [2] Buskins therefore sometimes appear as a symbol of tragedy, often contrasted with "sock" (from Latin soccus), the low shoe worn by comedians. [3]
The sock and buskin, like the comedy and tragedy masks, are associated with two Greek Muses, Melpomene and Thalia.Melpomene, the Muse of tragedy, is often depicted wearing buskins and holding the mask of tragedy, while Thalia, the Muse of comedy, is often depicted wearing the comic's socks and holding the mask of comedy.
Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
Greek travelling costume, incorporating a chiton, a chlamys, sandals, and a petasos hat hanging in the back The chiton (plural: chitones) was a garment of light linen consisting of sleeves and long hemline.
The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts. Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters were feeling.