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USS Despite, an Adroit-class minesweeper of the United States Navy Topics referred to by the same term This disambiguation page lists articles associated with the title Despite .
Escapist fiction, also known as escape fiction, escapist literature, or simply escapism, is fiction that provides escapism by immersing readers in a "new world" created by the author. [1] The genre aims to compensate for a real world the reader perceives as arbitrary and unpredictable compared to the clear rules of the constructed "new world ...
English literature is literature written in the English language from the English-speaking world.The English language has developed over more than 1,400 years. [1] The earliest forms of English, a set of Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon settlers in the fifth century, are called Old English.
A literary genre is a category of literature.Genres may be determined by literary technique, tone, content, or length (especially for fiction).They generally move from more abstract, encompassing classes, which are then further sub-divided into more concrete distinctions. [1]
The verbs in the above sentences are present subjunctive, despite the historic context, by a process called repraesentātiō, which makes the situation more vivid. [ 158 ] If the verb in an apodosis is a future perfect tense in direct speech, it cannot be expressed using an active verb, but it is possible to use or deponent or passive perfect ...
Old English literature has had some influence on modern literature, and notable poets have translated and incorporated Old English poetry. Well-known early translations include Alfred, Lord Tennyson 's translation of The Battle of Brunanburh , William Morris 's translation of Beowulf , and Ezra Pound 's translation of The Seafarer .
Irony" entered the English language as a figure of speech in the 16th century with a meaning similar to the French ironie, itself derived from the Latin. [7] Around the end of the 18th century, "irony" takes on another sense, primarily credited to Friedrich Schlegel and other participants in what came to be known as early German Romanticism.
There is extensive literature, but no consensus on the question which of the two quantity maxims is in operation in which circumstances; i.e. why "I lost a book yesterday" implicates that the book was the speaker's, while "I slept on a boat yesterday" usually implicates that the boat wasn't the speaker's.