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The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity .
The Temple of Aphrodite Euploia was a sanctuary in ancient Knidos (Modern day Datça Turkey) dedicated to the goddess Aphrodite. It was a famous pilgrimage, known for hosting the famous statue of Aphrodite of Knidos .
Knidos sundial. The agora, the theatre, an odeum, a temple of Dionysus, a temple of the Muses, a temple of Aphrodite [10] and a great number of minor buildings have been identified, and the general plan of the city has been very clearly made out. The most famous statue by Praxiteles, the Aphrodite of Knidos, was made for Cnidus.
Since the statue's discovery, it has become one of the most famous works of ancient Greek sculpture in the world. The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus. Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is ...
The Kaufmann Head in the Musée du Louvre, a Roman copy of the Aphrodite of Knidos, which Phryne is said to have modelled for.. Phryne (Ancient Greek: Φρύνη, [a] before 370 – after 316 BC) was an ancient Greek hetaira (courtesan).
Praxiteles' Aphrodite of Knidos, which survives in copies, was often referenced to and praised by Pliny the Elder. Lysistratus is said to have been the first to use plaster molds taken from living people to produce lost-wax portraits, and to have also developed a technique of casting from existing statues.
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The Venus de' Medici or Medici Venus is a 1.53 m (5 ft 0 in) tall Hellenistic marble sculpture depicting the Greek goddess of love Aphrodite.It is a 1st-century BC marble copy, perhaps made in Athens, of a bronze original Greek sculpture, following the type of the Aphrodite of Knidos, [1] which would have been made by a sculptor in the immediate Praxitelean tradition, perhaps at the end of the ...