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Mardi Gras papier-mâché masks, Haiti. Papier-mâché (UK: / ˌ p æ p i eɪ ˈ m æ ʃ eɪ / PAP-ee-ay MASH-ay, US: / ˌ p eɪ p ər m ə ˈ ʃ eɪ / PAY-pər mə-SHAY, French: [papje mɑʃe] - the French term "mâché" here means "crushed and ground" [1]) is a versatile craft technique with roots in ancient China, in which waste paper is shredded and mixed with water and a binder to produce ...
[1] [2] While the family’s history in the craft can be traced back as far as the 18th century, it was the work of Pedro Linares, who invented the alebrijes, that made the family famous. Pedro’s work became internationally famous through the patronage of artists of Diego Rivera and the promotion of it at the 1968 Olympic Games and through ...
Angelico Jimenez, son of Manuel, in the family workshop. Jiménez Ramírez is credited with creating the Oaxacan version of “alebrijes.” [2] [4] The original craft was created and promoted by the Linares family in Mexico City, making fantastic creatures of “cartonería” (a hard paper mache) and painting them in bright colors. [2]
The skilled artisans involved with this painstaking process are called Paper Mache makers. The materials involved with this process are discarded paper, cloth, straw of rice plant, which are mixed and made into a pulp. [7] The paper, after immersing in water for 4–5 weeks, is taken out and made into a pulp and dried.
[1] [3] The paper and cardboard used is mostly waste paper, such as old newspapers and boxes, with decorative elements, such as crepe paper being new. [2] [5] Most shapes are created with molds, then painted with acrylics. [5] Most of the production since colonial times has followed the annual calendar of religious and civic events.
The Spanish city of Valencia's five day festival known as Las Fallas ended at midnight on Sunday, March 19th with a ceremony in which nearly 380 papier mache sculptures were set alight.
Pedro Linares began his career as a maker of the effigies known as Judas figures, traditionally made of carton during the Catholic Easter season in Mexico, and by making figurines for Diego Rivera, Frida Kahlo and other artists from the Academia de San Carlos School of Fine Arts in Mexico City.
Brown craft paper is used as a final layer for taka made for export. This provides a thicker base and smoother finish for the craft. Taka is also painted. The traditional way of painting a taka is to use primary colors, add simple flower motifs and use repetitive lines and shapes.