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Baltimore club is a style of house music closely related to the "booty bass" of ghetto house and Miami bass. It is characterized by a heavy use of looped vocal samples similar to ghetto house but with breakbeat drum patterns at around 130 bpm.
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture that consisted of Black gay men and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
Funkot music is a mix of Funky House [12] [b] and Dangdut music with a tempo of around 160 to 220 bpm. Funkot music usually includes percussion sounds such as cowbells, woodblocks, fast triple bass kicks, vocal samples (namely "ay!", "are you ready?", and "one, two, three, four" samples), the extensive use of Amen breaks, and high-pitched synths.
It is famous for its "la da dee, la da da" vocal refrain and its often-sampled keyboard riff, and is now widely regarded as one of the biggest classics of house music, being remixed several times since its release. "Gypsy Woman (She's Homeless)" peaked at number eight on the US Billboard Hot 100.
Funky house is a subgenre of house music that uses disco and funk samples, a funk-inspired bass line or a strong soul influence, combined with drum breaks that draw inspiration from 1970s and 1980s funk records. [1]
AllMusic describes "ambient house" as an "early categorical marker" for music "appropriating certain primary elements of acid house music – midtempo, four-on-the-floor beats; synth pads and strings; soaring vocal samples – used in a dreamier, more atmospheric fashion". [4]