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The first jazz recording was made by Sidney Bechet in 1954 under the title "La Complainte de Mackie". Louis Armstrong's 1955 version established the song's popularity in the jazz world. [135] It is also known as "The Ballad of Mack the Knife". [135] "Nagasaki" [136] is a jazz song composed by Harry Warren with lyrics by Mort Dixon.
The first jazz recording was made by Sidney Bechet in 1954 under the title "La Complainte de Mackie". Louis Armstrong's 1955 version established the song's popularity in the jazz world. [88] It is also known as "The Ballad of Mack the Knife". [88] "Nagasaki" [89] is a jazz song composed by Harry Warren with lyrics by Mort Dixon.
Singin' the Blues (Sam M. Lewis, Joe Young, Con Conrad and J. R. Robinson song) Snake Rag; Softly, as in a Morning Sunrise; Somebody Loves Me; Someone to Watch Over Me (song) Squeeze Me; Stardust (1927 song) Sugar: That Sugar Baby O'Mine; Sweet Georgia Brown; Sweet Lorraine; Sweet Sue, Just You
Chilton adds that these songs "became the core repertoire of jazz musicians" during the period that "stretched roughly from 1920 to 1960". [2] Although several collections of music have been published under the "Great American Songbook" title, the term does not refer to any actual book or specific list of songs.
For a list of the core jazz standards, see the following lists by decade: . Before 1920; 1920s; 1930s; 1940s; 1950s and later; For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The resulting illicit speakeasies that grew from this era became lively venues of the "Jazz Age", hosting popular music that included current dance songs, novelty songs and show tunes. By the late 1920s, a new opposition mobilized across the U.S. Anti-prohibitionists, or "wets", attacked prohibition as causing crime, lowering local revenues ...
While the Big Band Era suggests that big bands flourished for a short period, they have been a part of jazz music since their emergence in the 1920s when white concert bands adopted the rhythms and musical forms of small African-American jazz combos.