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  2. Music and emotion - Wikipedia

    en.wikipedia.org/wiki/Music_and_emotion

    Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...

  3. Hedonic music consumption model - Wikipedia

    en.wikipedia.org/wiki/Hedonic_music_consumption...

    Lacher and Mizerski based their experiments on previous music research that was conducted in the fields of music education and psychology. [16] They tested music on four "responses" to see what, if any, had any effect on music purchase intentions. Emotion - or the feelings people experience when hearing music, which usually range across a scale ...

  4. Psychology of music preference - Wikipedia

    en.wikipedia.org/wiki/Psychology_of_music_preference

    The psychology of music preference is the study of the psychological factors behind peoples' different music preferences. One study found that after researching through studies from the past 50 years, there are more than 500 functions for music. [ 1 ]

  5. Psychology of music - Wikipedia

    en.wikipedia.org/wiki/Psychology_of_music

    The psychology of music, or music psychology, may be regarded as a branch of psychology, cognitive science, neuroscience, and/or musicology.It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life.

  6. Leonard B. Meyer - Wikipedia

    en.wikipedia.org/wiki/Leonard_B._Meyer

    Meyer used this basis to form a theory about music, combining musical expectations in a specific cultural context with emotion and meaning elicited. [1] His work went on to influence theorists both in and outside music, as well as providing a basis for cognitive psychology research into music and our responses to it. [3]

  7. Music, Thought, and Feeling - Wikipedia

    en.wikipedia.org/wiki/Music,_Thought,_and_Feeling

    In July, 2009, Victoria Williamson reviewed the book for Psychology of Music (Volume 37, Number 3). Williamson wrote "Music, Thought, and Feeling definitely fills a gap in the current literature. It is an excellent and, I am sure, extremely welcome resource for anyone who is planning a course on music cognition, either at undergraduate or ...

  8. Psychoanalysis and music - Wikipedia

    en.wikipedia.org/wiki/Psychoanalysis_and_music

    The aspect of emotion is a key element in what brings music and psychoanalysis together; they both involve a way of communicating emotion. In an article, about Music therapy and group work, the authors discuss how music and active listening play an important role in helping someone suffering from a mental illness improve their well-being. [1]

  9. Melodic expectation - Wikipedia

    en.wikipedia.org/wiki/Melodic_expectation

    Leonard Meyer's Emotion and Meaning in Music [38] is the classic text in music expectation. [citation needed] Meyer's starting point is the belief that the experience of music (as a listener) is derived from one's emotions and feelings about the music, which themselves are a function of relationships within the music itself. Meyer writes that ...