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"Tonight" is a song recorded by The Move and was written by Roy Wood originally for pop vocal group The New Seekers. Released in 1971, The Move's version was their first single release on the Harvest label, and charted at number 11 on the UK Singles Chart. [1] In Denmark, it charted at number seven. [2] The song peaked at number 89 in Australia ...
The song is a love duet between the protagonists Tony and Maria, sung while Tony visits Maria on the fire escape outside her apartment. West Side Story is a modernized adaptation of Shakespeare's Romeo and Juliet set in 20th-century New York; the scene in which "Tonight" appears is the adaptation of Romeo and Juliet's famous "balcony scene".
A song cycle (German: Liederkreis or Liederzyklus) is a group, or cycle, of individually complete songs designed to be performed in sequence, as a unit. [ 1 ] The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces. [ 2 ]
"Tonight" is a song by Irish boy band Westlife. It was first released as a single in Sweden on 21 March 2003. It was first released as a single in Sweden on 21 March 2003. In the United Kingdom, "Tonight" was issued as a double A-side single with " Miss You Nights " three days later.
"Tonight" is a song by Italian musician Ken Laszlo (real name Gianni Coraini), released in 1985 as the second single from his debut studio album, Ken Laszlo (1987). The song reached the top 10 in Sweden, peaking at No. 7 in March 1986. "Tonight" also charted in the Netherlands, Belgium and France, peaking at No. 24, No. 26 and No. 29, respectively.
"Tonight" is a song written by David Bowie and Iggy Pop for the latter's second solo studio album, Lust for Life (1977). The song was later made into the title-track for Bowie's own album Tonight (1984).
Compared to the drama that preceded his departure, Carson's final episode was a deliberately low-key exit that allowed the host plenty of time to look back at a three-decade Tonight Show run that ...
The four-beat cycle is a shorter period than in European music. This explains the stereotype of African music as "repetitive". The cycles have a beginning and an end, with the two joining. [6] The lead instrument, or soloist, may temporarily contradict the primary cycle with cross beats and larger phrases, but awareness of the cycle is ever ...