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David G. Monette (born 1956, Kalamazoo, Michigan) is an American craftsman who designs and builds custom brass instruments and mouthpieces for musicians. [1] [2]Monette's experience as a trumpeter and the influence of acoustician Arthur Benade led Monette to redesign the trumpet mouthpiece with the goal of improving playability and sound quality.
With this rich background and his talent as an accomplished machinist, Mr. Callet was able to release his first line of trumpet mouthpieces in 1973, and his first trumpet under his own brand name in 1984. [2] [3] In 1973, he also developed a line of mouthpieces to complement his embouchure theories. In the meantime, he taught embouchure ...
The mouthpiece on brass instruments is the part of the instrument placed on the player's lips. The mouthpiece is a circular opening that is enclosed by a rim and that leads to the instrument via a semi-spherical or conical cavity called the cup.
These include the bugle and older variants of the trumpet and horn. The trumpet was a natural brass instrument prior to about 1795, and the horn before about 1820. In the 18th century, makers developed interchangeable crooks of different lengths, which let players use a single instrument in more than one key.
This mouthpiece usually has a deep cup, like that of the flugelhorn, and has a wider inner diameter than a trumpet mouthpiece. These mouthpieces give the mellophone a dark, round sound. Some trumpet players who double on mellophone use a trumpet-style parabolic ("cup") mouthpiece on the instrument, resulting in a much brighter, more trumpet ...
The mouthpiece is deeply conical which tapers slightly, as opposed to the trumpet mouthpiece which has an extreme taper to create a bowl shape. The sound of the Flumpet is described as thicker and richer than a flugelhorn and more mellow and rounded than that of a trumpet.