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The National Association of Rudimental Drummers was formed at the American Legion National Convention of 1932. [1] According to the official NARD website: "It is the purpose, aim and object of the N.A.R.D. to standardize drum rudiments and to encourage their adoption by all earnest students of drums; also to dispel the erroneous idea that the rudiments are only for the drum corps drummer."
In rudimental drumming, a form of percussion music, a drum rudiment is one of a number of relatively small patterns which form the foundation for more extended and complex drumming patterns. The term "drum rudiment" is most closely associated with various forms of field drumming, where the snare drum plays a prominent role.
This category concerns articles on a rudiment of drumming, one of a set of basic patterns used in rudimental drumming. These patterns form the basic building blocks or "vocabulary" of drumming, and can be combined in a great variety of ways to create drumming music.
It is recommended that once a rudiment is learned, as far as the technical sticking and accents, that it be practiced regularly with the open, closed, open technique as well as at a moderate march tempo to ensure that a drummer or percussionist is able to play the rudiment accurately at any speed necessary for performance of musical repertoire. [4]
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Frank Arsenault played rudimental snare drum in the field of competitive drum and bugle marching corps in the 1950s. He was associated with the Skokie Indians and the Chicago Cavaliers, being credited with both groups having risen to national prominence. [3] He was a member of the Lancraft Fife and Drum Corps in North Haven, Connecticut. [4]
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Adler and Rich wrote Buddy Rich's Modern Interpretation of Snare Drum Rudiments (1942), which became a standard text for drummers. [2] After the book was published, Adler opened a drum store in New York City. [3] His students included Louie Bellson, Roy Burns, Sandy Feldstein, Sonny Igoe, Alvin Stoller, and Dave Tough. [3]