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The Psychology of Art (1925) by Lev Vygotsky (1896–1934) is another classical work. Richard Müller-Freienfels was another important early theorist. [8] The work of Theodor Lipps, a Munich-based research psychologist, played an important role in the early development of the concept of art psychology in the early decade of the twentieth century.
The opposite of painterly is linear, plastic or formal linear design. [1] Linear could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic (rather than impulsive) use of color.
Similarly, in spite of Fukushima's having been picked up by Michel Tapié as part of his advocacy of Art Informel, Nakajima argues that Fukushima's concerns were actually a difficult fit with the common assumptions of individual expression, bold painterly action, and emotive mark-making that prevailed in action painting circles including Art ...
These gave the elementally expanding mass a new dramatic expression in the modelling of shapes and in the structures of the surfaces. She combined the harmony of the curves of the blown shapes with the treatment of their walls with a decoration of bubbles along with bold "painterly strokes" of strands of coloured glass. [1]
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
The doctrine of the affections, also known as the doctrine of affects, doctrine of the passions, theory of the affects, or by the German term Affektenlehre (after the German Affekt; plural Affekte) was a theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era (1600–1750).
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The visual system is organized hierarchically, with anatomical areas that have specialized functions in visual processing. Low-level visual processing is concerned with determining different types of contrast among images projected onto the retina whereas high-level visual processing refers to the cognitive processes that integrate information from a variety of sources into the visual ...