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Hsu Yung Chin's calligraphy has been described as modern and postmodern, [1] because it breaks with traditional calligraphy's rules regarding form, color, materials, and subject matter in order to create a more visceral and contemporary aesthetic. [6]
Artworks in which calligraphy forms both the background and the foreground. [34] Neoclassical Works that adhere to the rules of 13th-century calligraphy. An example of this is the work of Khairat Al-Saleh (b. 1940) [35] Artist, Dia-Al-Azzawi, exhibits the style of the Calligraphy Combinations School of Hurufiyya art Modern classical
Modern Western calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. [1] [page needed] Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. [2] [3] [4] [5]
First page of Paul's epistle to Philemon in the Rochester Bible (12th century). A modern calligraphic rendition of the word calligraphy (Denis Brown, 2006). Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions ...
Modern typographers view typography as a craft with a very long history tracing its origins back to the first punches and dies used to make seals and coinage currency in ancient times. The basic elements of typography are at least as old as civilization and the earliest writing systems —a series of key developments that were eventually drawn ...
The famous modern Chinese calligrapher Tian Yunzhang, member of the Chinese Calligrapher Association, summarized rules of modern calligraphy. The following rules are from One Question Every Day, One Word Every Day ( 每日一题，每日一字 ), a calligraphy video column with deep analysis of different characters, lectured by Tian Yunzhang .
Shu Tong was appointed as the inaugural president of the Chinese Calligraphers Association. [3] It comprises 16 professional committees. In January 1983, a group from the Chinese Calligraphy Association visited Japan at the request of the Japan-China Cultural Exchange Association .
Osman Waqialla (Arabic: عثمان وقيع الله, 1925−4 January 2007), was a 20th century Sudanese painter and calligrapher, noted for his creative use of Arabic letter forms in his artworks, thereby integrating African and Islamic cultural traditions into the contemporary art of Sudan. [1] This use of Arabic calligraphy as a modern, non ...