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The altarpiece examines Mary's relationship with Christ at different stages of his life. The panels show, from left to right, a portrait of the Holy Family, a Pietà (the Virgin cradling the dead body of Jesus) and Christ's appearance to Mary—a chronological reading of the birth, death and resurrection of Jesus, [3] with Mary the focus of ...
Pictorial representations of the Jesse Tree show a symbolic tree or vine with spreading branches to represent the genealogy in accordance with Isaiah's prophecy. The 12th-century monk Hervaeus expressed the medieval understanding of the image, based on the Vulgate text: "The patriarch Jesse belonged to the royal family, that is why the root of Jesse signifies the lineage of kings.
The New Testament tells little of Mary's early history. The Gospel of Matthew gives a genealogy for Jesus by his father's paternal line, only identifying Mary as the wife of Joseph. John 19:25 [62] states that Mary had a sister; semantically it is unclear if this sister is the same as Mary of Clopas, or if she is left unnamed.
Matthew immediately follows the genealogy of Jesus with: "This is how the birth of Jesus Christ came about: His mother Mary was pledged to be married to Joseph, but before they came together, she was found to be with child through the Holy Spirit". [111]
The New Testament provides two accounts of the genealogy of Jesus, ... Mary, mother of Jesus (13 C, 41 P, 11 F) Matthew 1 (28 P) Pages in category "Genealogy of Jesus"
The Three Marys by Alexander Moody Stuart, first published 1862, reprinted by the Banner of Truth Trust, Edinburgh, 1984, is a study of Mary of Magdala, Mary of Bethany and Mary of Nazareth. In Spanish-speaking countries, the Orion's Belt asterism is called Las Tres Marías (The Three Marys).
Click through to see depictions of Jesus throughout history: The discovery came after researchers evaluated drawings found in various archaeological sites in Israel.
The Crucifixion Triptych is a painted altarpiece of c. 1443–1445 by Rogier van der Weyden, now in the Kunsthistorisches Museum in Vienna. [1] The central scene shows the Crucifixion of Christ, with the Virgin Mary embracing the foot of the cross as she mourns.