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C535 - a high-quality condenser vocal microphone. AKG made a gold-plated one for Frank Sinatra. [25] D409; D5; C1000S microphone. C1000S - a small diaphragm condenser (four versions released from 1986 to 2012) C2000B - a side-address, small diaphragm condenser; C3000(B) - a large diaphragm condenser (five versions released from 1993 to 2012)
Well, we used to have a thing called a Decca Tree which was an arrangement where [at] the front edge of an orchestra about 3.2 metres up in the sky you would have a centre microphone roughly in line with the edge of the orchestra, and then maybe 2.5 feet back and 5 feet apart you would have 2 more forming a triangle, omnidirectional microphones.
Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.
The amount of accent signal that's introduced into the mix should sound natural relative to the overall pickup, and a good accent mic should only add presence to a solo passage and not stick out as separate, identifiable pickup. [6] [7] [8] Instrumental use of microphones has been developed by many experimental composers, musicians and sound ...
Proximity effect can be viewed in two ways. In some settings, sound engineers may view it as undesirable, and so the type of microphone or microphone practice may be chosen in order to reduce the proximity effect. On the other hand, some microphone users seek to intentionally use the proximity effect, such as beat boxing singers in hip hop music.
The American D-22 and American D-33 microphones are dual-impedance, omnidirectional, dynamic microphones made by the American Microphone Company. They were used extensively in the broadcast industry in the 1950s because of their modern sleek looks and tapered waist design. [1]