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Solo is a spring-driven kinetic sculpture designed in 2014. The motion of flight has been a recurring theme in his work first appearing in 1988 in a sculpture called Flight . Variation II Sun is a spring-driven kinetic sculpture designed in 2014.
A simple wooden toy marble run. A rolling ball sculpture (sometimes referred to as a marble run, ball run, gravitram, kugelbahn (German: 'ball track'), or rolling ball machine) is a form of kinetic art – an art form that contains moving pieces – that specifically involves one or more rolling balls.
The goal of a kinetic sculpture is to create a machine in which motion is a critical component of the piece, resulting the audience's failure to associate the sculpture with a mere object. [11] The automated nature of Can't Help Myself categorizes the sculpture as a work of kinetic art, which, in turn, generates an anthropomorphic quality to ...
Theo Jansen's kinetic sculpture Strandbeest. A wind-driven walking machine. A Strandbeest in action. Jansen's linkage is a planar leg mechanism designed by the kinetic sculptor Theo Jansen to generate a smooth walking motion. [1] Jansen has used his mechanism in a variety of kinetic sculptures which are known as Strandbeesten (Dutch for
Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
Living in the 1960s in New York, Kantor was influenced by the work of mobile sculptor Alexander Calder and began making his own mobile sculptures. He completed his first kinetic sculpture, entitled Don Quixote, in 1965. [12] [1] He started focusing on large-scale sculpture and opened a welding shop in the 1990s. [1]
The meaning of the term "mobile" as applied to sculpture has evolved since it was first suggested by Marcel Duchamp in 1931 to describe the early, mechanized creations of Alexander Calder. [5] At this point, "mobile" was synonymous with the term "kinetic art", describing sculptural works in which motion is a defining property.
He felt that his moving sculpture Kinetic Construction (also dubbed Standing Wave, 1919–20) [6] was the first of its kind in the 20th century. From the 1920s until the 1960s, the style of kinetic art was reshaped by a number of other artists who experimented with mobiles and new forms of sculpture.