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Acoustical engineering (also known as acoustic engineering) is the branch of engineering dealing with sound and vibration. It includes the application of acoustics, the science of sound and vibration, in technology. Acoustical engineers are typically concerned with the design, analysis and control of sound.
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An audio engineer with audio console, at a recording session at the Danish Broadcasting Corporation. An audio engineer (also known as a sound engineer or recording engineer) [1] [2] helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound.
The Federal Standard 1037C Telecommunications Glossary [1] [2] defines white, pink, blue, and black noise. The color names for these different types of sounds are derived from a loose analogy between the spectrum of frequencies of sound wave present in the sound (as shown in the blue diagrams) and the equivalent spectrum of light wave frequencies.
Later the concept was applied in audio engineering to adjust the frequency response in recording, reproduction, and live sound reinforcement systems. Sound engineers correct the frequency response of a sound system so that the frequency balance of the music as heard through speakers better matches the original performance picked up by a microphone.
Audio analysis; Audio bus; Audio Engineering Society; Audio frequency; Audio interface; Mastering (audio) Audio mixing; Audio mixing (film and television) Audio normalization; Audio over Ethernet; Audio restoration; Audio signal; Audio system measurements; Audio tape specifications; Audio time stretching and pitch scaling; Audiophile ...
Sound reflections: by limiting the reflection using many methods, e.g. by using acoustic absorption (deadening) materials, trapping the sound, opening a "window" to let sound out, etc. By analyzing the entire sequence of events, from the source to the observer, an acoustic engineer can provide many ways to quieten the machine.
Daniel N. Flickinger was an audio engineer in the late 1960s and 1970s, who designed and manufactured some of the era's most important music recording consoles.He designed recording consoles for Sly Stone, [1] Curtis Mayfield, The Association, Ike Turner's Bolic Sound, [2] Johnny Cash, and Funkadelic, Muscle Shoals Sound Studio, Cinderella Records, and United Sound Systems among many others.